carnatic music

  1. Jimsweb

    Melsthayi varisai

    Melsthayi varisai Raga: Mayamalavagowla (15th Melakartha Ragam) Arohana: S R1 G3 M1 P D1 N3 S Avarohana: S N3 D1 P M1 G3 R1 S Talam: Adi Musical Phrases: It is important to first practice karvai (long notes: see the sarali varisai class) before the varishais. Gradually simple...
  2. Jimsweb

    Dhatu varisai

    Dhatu varisai Raga: Mayamalavagowla (15th Melakartha Ragam) Arohana: S R1 G3 M1 P D1 N3 S Avarohana: S N3 D1 P M1 G3 R1 S Talam: Adi Musical Phrases: It is important to first practice karvai (long notes: see the sarali varisai class) before the varishais. Gradually simple combinations...
  3. Jimsweb

    Janta varisai - part 2

    6. Janta with dheergams interspersed (ss, - rr, -gg) and pattern repeated. Laya pattern: 11, - 22, - 33 and 11-22-33-44 (123- 123 - 12) s s , r | r , | g g || s s r r | g g | m m || r r , g | g , | m m...
  4. Jimsweb

    Janta varisai - part 1

    Raga: Mayamalavagowla (15th Melakartha Ragam) Arohana: S R1 G3 M1 P D1 N3 S Avarohana: S N3 D1 P M1 G3 R1 S Talam: Adi Musical Phrases: It is important to first practice karvai (long notes: see the sarali varisai class) before the varishais. Gradually simple combinations of notes can be...
  5. Jimsweb

    Sarali varisai part2

    Speeds in Carnatic music: In carnatic music, speed is relative. It is measured as the number of notes per beat of the tala, rather than the number of notes per second or minute. The first speed is rendering one note per unit of the tala. The 2nd speed is exactly double of this, i.e. two notes...
  6. Jimsweb

    Sarali varisai part1

    Raga: Mayamalavagowla (15th Melakartha Ragam) Arohana: S R1 G3 M1 P D1 N3 S Avarohana: S N3 D1 P M1 G3 R1 S Talam: Adi Notes from Chitra Veena Ravi Kiran's book (with some additions): Getting Started: Sustaining Notes - KARVAI The first step is to have a tanpura or shruti box, which will...
  7. Jimsweb

    Some carnatic Raagas

    Mohanam S R2 G3 P D2 S | S D2 P G3 R2 S carnatic krithi : Mohana Rama Jog (Jog is a hindustani raga equivalent to Nattai in Carnatic Music) Natta S R3 G3 M1 P D3 N3 S | S N3 P M1 R3 S carnatic krithi : Maha Ganapathim, Swami nada paripalaya Madhyamavathi S R2 M1 P N2 S | S N2 P M1...
  8. Jimsweb

    An Introduction to Carnatic Music (part 2)

    Tala system Tala refers to the beat set for a particular composition (a measure of time). Talas have cycles of a defined number of beats and rarely change within a song. They have specific components, which in combinations can give rise to the variety to exist (over 108), allowing different...
  9. Jimsweb

    An Introduction to Carnatic Music (part1)

    Carnatic music is a beautiful system of music commonly associated with the southern part of the Indian subcontinent, with its area roughly confined to four modern states of India: Andhra Pradesh, Karnataka, Kerala, and Tamil Nadu. It is one of two main sub-genres of Indian classical music that...
  10. Jimsweb

    An introduction to Indian Music

    Indian music is one of the oldest in world history. The origins of Indian classical music can be found from the scriptures, part of the Hindu tradition, the Vedas. We can see that Samaveda, one of the four Vedas, describes music at length. The Samaveda was created out of Rigveda so that its...

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